Etchings — Dawson Murray - ARE RSW RGI

As my manual movements became more restricted due to the ever increasing effect of the M.S. so the scale of my work became much more reduced. It was at this time that printmaking assumed a much more positive place in my working practice.

I gradually developed a very personal use of the traditional sugar-lift technique. My watercolours had always been built up in a wet-into-wet method allowing random bleeding at the edge of forms and so I experimented with this approach in my use of sugar-lift.

'Cabbages Under Snow'

'Cabbages Under Snow'

'Drawing in the Bois d'Amour'

'Drawing in the Bois d'Amour'

'Dapple'

'Dark Sparkle AP'

'Dark Sparkle AP'

'Drifting Triptych'

'Drifting Triptych'

'Silent Garden Edge'

'Silent Garden Edge'

'Fennel Zig-Zag'

'Fennel Zig-Zag'

'Garden Edge I'

'Garden Edge I'

'Gleam Diptych'

'Gleam Diptych'

'Green Dark'

'Spring Pockets'

'Spring Pockets'

'Winter Light'

'Cabbages Under Snow'

'Drawing in the Bois d'Amour'

'Dapple'

'Dark Sparkle AP'

'Drifting Triptych'

'Silent Garden Edge'

'Fennel Zig-Zag'

'Garden Edge I'

'Gleam Diptych'

'Green Dark'

'Spring Pockets'